Inner Beauty

I've been thinking a lot lately about handmade Blythe clothes vs factory made. What is it that makes people purchase handmade items from Etsy rather than the cheaper mass produced Sugarmag clothes? For me it's always been about quality and variety. Factory made clothes often don't stand up to repeated dressing (or washing) and after a few uses the seams can start to come away. I also occasionally have trouble wrestling factory made items onto the dolls body, which for some reason doesn't seem to be as hard with handmade clothes. Some things, like jeans have a reputation for staining whereas the handmade ones seem not to be quite as bad, and then there is the issue of variety and dare I say it, individuality. A lot of handmade clothes are one of a kind. There is something kind of satisfying about taking a beautiful shot of your Blythe nicely dressed in something incredibly cute and knowing that there isn't anyone else out there who can replicate the look exactly because a duplicate outfit simply doesn't exist.

A while ago a read a comment comparing the prices of the handmade to factorymade and expressing shock at how much a handmade Blythe garment sells for on Etsy. Not so long ago, I probably would have done the same. After all they are clothes for dolls and use the smallest amount of fabric. It's hard to believe that it is possible to buy a human sized garment for not that much more than a doll sized one.

Having now taught myself to sew these tiny clothes, I can now understand that the reason for the extra cost is not for the materials, but the time and skill required to construct one. Admittedly, if you make mulitple copies of one garment using the same fabrics and trims I suppose that time would be saved. However having soon realised that this assembly line method soon sucks any pleasure right out of sewing (for me at least) I think that it's more likely that most Blythe seamstresses work in much the same way that I do and make each garment individually, taking the time to choose just the right fabrics, trim and little extra touches that make each finished item unique and that is what really adds to the time invested in each tiny dress - extra care and attention to detail.


One of the reasons that I've been thinking about this is that I've been toying with the idea of changing the way that my dresses are finished on the inside. My latest creation, the pink spot/stripe combo has been finished in such a way that there are no visible seams on the inside which I think looks so much better, but I'm wondering if I should continue doing this as the extra time taken should probably be taken into account in my pricing. This first one I am listing for the usual price, although it took me about 3 hours to complete all told. Does it matter to Etsy buyers that the garment is beautifully finished on the inside? Are they prepared to pay a little bit more for that little extra touch or would I be better off just keeping it simple?

Waiting for Vanilla and an awesome competition!

I caved in a few weeks ago and bought myself a Vanilla. There's just something about her that milky white hair and her complexion that I could not resist. For some reason in pics her skin tone looks a little different to the regular fair skinned girls - I wonder if maybe they used a different plastic? I think she will probably get customised though, as she really is very shiny and I find that I don't enjoy photographing the super shiny stock girls nearly as much as those who have been sand matted.

I'm not entirely happy with my purchase, although it is my own stupid fault. A word of warning - before you hit the BIN button be sure to double check the listing to make sure that it's exactly what you wanted. I got a little trigger happy and accidentally ended up buying Vanilla nude instead of new in box. While I did get her marginally cheaper, and her stock isn't super-special, I was a bit sad because the difference in price was a mere $10. If I had decided that I didn't want to keep the stock clothes, I could have sold them for twice that much. At any rate, she ended up costing me a smidge over $100 including shipping to Australia, making her the cheapest Blythe in my collection with the exception of the factory girls. I know she's just a "Simply" and not one of the more pricey and sought after girls, but all the same it's interesting that the prices have dropped so much. Not good for people looking to sell older Blythes though I suppose.

I have been looking at my collection with a critical eye lately and wondering if I will ever manage to bring myself to sell any of them. I never imagined I would say this, but I kind of feel that I have reached the point where I have just about got enough Neos. Instead of madly buying new dolls I will probably gradually send most of the remaining girls off to be customised now and I think that with maybe one or two more fantasy haired girls I will be happy to stop collecting the Neos altogether and maybe begin saving for a Kenner. I would love to have a Miss Sally Rice or even a custom Simply Peppermint but other than that I feel quite content with the dolls I have and could possibly even stand to let one or two less loved ones go. I'm still waiting to hear from Erica about sending Poe off for her new face, and I have reserved a spot with Frankie Darling to have Holly customised (I am so excited about that!). Now it's just a matter of waiting and madly sewing to make up the funds to get the work done!

Speaking of fabulous customisers, I stumbled across this great interview (and competition) with Melly Kay on BlytheLife that I highly recommend reading. I've followed Melly's blog and stalked her flickr pages for a while now ever since seeing her beautiful custom work on a Saffy factory girl (Bubble) and each subsequent doll somehow manages to be even more lovely than the last. Her custom Blythes have a natural life-like beauty and innocence that is incredibly appealing to me - the soft colours and the technique she uses to carve lips and nostrils really brings Blythe to life. I don't normally use other people's photos in my blog as I've never been sure of the etiquette and don't want to stand on anyones toes so let me just say that these are not my pics - they are the work of Melly Kay, so if I am doing something horribly offensive by posting Melly's pics here, someone let me know and I will take them down immediately. The reason I decided to include them is because my descriptions really don't do her work justice - you need to see her Blythes to fully appreciate her skill. These are two of my favourites.

I love this factory Qpot that she worked on.


This mohair girl kills me - she's perfect. The colours used in her face-up and chips complement her red mohair perfectly and her lips and nostrils are so beautifully done. I love the way the lower lashes are so delicate and understated. Not sure which Blythe she started out as, but she sure is stunning now! Whoever owns her is very lucky :)


Who knows, maybe I'll end up sending Vanilla over to her one day to get made over. I would love to have one of her dolls in my collection.

Melly Kay is having a competition right now where she is very generously giving away a beautiful Melly Kay Bohemian Peace custom, Bellatrix. To enter, click the link and read the interview at BlytheLife, and follow the instructions. Good luck to all who enter - Bellatrix is a really lovely girl!

Who wore it best?

I finally finished the little yellow dress that matched the purple one yesterday and put it on Holly to model. I took photo after photo, all of them blah. I thought it might be my boring white background so I put a pumpkin in the shot to give it a bit of oomph. It looked better, but it still wasn't right.



And then I saw Ash out of the corner of my eye with her bright orangey hair...


I think she wore it best :)

Huzzah for my stash!

Incredibly, I had everything I needed to make Miss B's witch costume on hand and after a frantic sewing session last night this is the result. I think it came out quite well. It only ended up costing $8.00 for the hat and is a great improvement on the horrible thing I nearly bought her from the local shops. She thinks she looks pretty good in it and has been preening in the mirror ever since I finished the final stitch last night. Scuse the photo - it was taken in a big rush before school today. I swear it was easier to snap a shot of her without a silly expression on her face when she was a toddler!

I am feeling very smug about it all as I didn't have a pattern - I just cut out a rough dress shape, with sleeves and fudged a little (hence the pintucks!) until it fit. Amazingly it all went together with no trouble at all - even the sleeves - and I am now master of the automatic button hole function on my sewing machine. Embarassingly I had never needed to sew a buttonhole on it until last night, even though I've had my fancy pants new machine for over 5 years. All it has sewn is quilts, doll clothes, a few skirts and some costumes for a school musical that somehow didn't require buttons.

The reason I'm so pleased with myself is that although I have done lots of dressmaking in the past, it was always always with a pattern. I would not have had the faintest idea how to run up even a simple costume without one. After sewing for Blythe, human clothes are a walk in the park!

Seeing Miss B so happy with the costume made me feel a bit sad that Halloween is not really celebrated here in Australia. I know that the seasons don't aline properly etc etc but it really is a lot of fun and I can't see the harm in having to provide a few sweets for the trick or treaters. Last year Miss B dressed up and we took her around our street trick or treating but we weren't exactly welcomed by most, so this year we will go to the one child friendly event in our city that is halloween themed - the Manly Halloween Street Party. It's not quite the same (it's not even held on Halloween, but on the Saturday!), but at least she'll get to wear her costume again. On Friday night we'll carve a pumpkin and decorate the verandah - hopefully we'll see some trick or treaters on Sunday. Otherwise I will have a lot of chocolate and lollies to eat!

Sewers block begone!

This dress, and it's little yellow sister, have been the cause of some major sewers block for the last 2 weeks. For those who don't know, sewer's block is the inability to either finish the item you are working on, or move on to another project because you for one reason or another you have become "stuck".

For these dresses, it was the trim that held me up. I really do love the look of linen, but it does tend to be somewhat plain on it's own. I really wanted to make a sweet Japanese inspired dress with it, but once I'd finished it just lacked a little something. I had originally made pockets out of the same contrasting fabric as the sleeves but when I held them up against the dress, it still looked kind of flat. The answer came in the form of these cute little flower cutouts I bought a while ago - I think they are perfect! It just goes to show that stash building can really come in handy when you least expect it.

Speaking of stash building, I visited the craft expo here in Brisbane on the weekend and bought some lovely lovely fabrics to play with. I can't wait to get stuck into them, but first I have to make a witch costume for the lovely Miss B who is singing "This Is Halloween" in front of all the grade 4s tomorrow. I originally thought I'd just buy something as I remembered seeing a few cheapo costumes at the local newsagent, but as it turns out they were $30 and really quite horrible. I don't know if I'll be able to come up with anything better, but at least it won't cost me anything!

Reroot progress report

Yesterday I ignored the large pile of laundry sitting grumpily in the bathroom and instead spent a pleasant few hours working on Poe's reroot. I know people complain about how much slower mohair is in comparison to saran, but I am finding that it seems to be coming along quite quickly. Maybe I'm doing something desperately wrong! I have nobody to show it to, so I'll just have to cross my fingers and hope that it will work out ok!





I am using a method I saw on Flickr a while ago. There used to be a tutorial on how to do it, but it has since been removed, so I am kind of just combining the info I have gleaned from all over. It is a knot method, but instead of tying the knot at the very end of the plug, it's tied in the middle and the two ends are fed through adjacent holes. It leaves a really neat finish on the inside imo, and seems to be very secure. It's only suitable for long length fibre, but it's a nice compromise between lock and loop and the usual knot method. I use a large headed needle to feed the mohair through the holes. It isn't terribly fast, but then I have yet to find a method I can successfully use that is! Having the mohair all nicely combed is a huge time saver, and I just make the plugs up as I go.

I am glad that I did that disastrous reroot on the Basaak - even though it didn't work out terribly well I did learn a lot from doing it (mostly, what NOT to do!) and I feel a lot more confident this time, even though I haven't worked with mohair before. The Blythe scalp is sooo much softer and easier to work with in comparison!





I have given Poe a thatched side part - as you can see her scalp was very damaged along the centre part and although I have repaired it (that's the big white strip), I don't feel comfortable having the closely rooted rows in the torn plastic. I've just started the upper fields which are also very closely rooted - once I've done the first couple of spirals I'll start skipping holes. Poe's Disco Boogie scalp seems to be have the holes more closely spaced than a normal scalp, so I'll probably just do every third hole and see how that looks. One thing I do know, it's going to be poofy - which isn't the look I was going for. I think that perhaps those lovely wispy straight reroots tend to use lots and lots of extremely fine plugs and take a bit more skill than I posess right now. Maybe next time.

All this fussing about with Poe is giving me a lot more of a feel for her identity. I am kind of excited to be sending her away for her faceup. I have decided that I am going to get her lips carved rather than leaving them stock and I think she might be a lashless girl. I have found an amazing Australian customiser and although I am on the list to send her overseas for a free faceup, I am thinking that maybe one of the other girls might go there in her stead and I'll just have the work done locally - the list is very long and I am really looking forward to seeing her completed now. I'm pleased that I didn't end up selling her - she has real character, even if she is still a trainwreck!

A fun distraction

After the success of my pink mohair I was itching to have a go at processing some more, and remembered that a while ago I bought some red wensleydale locks but didn't end up using them because they came like this.


I made a few plugs, but that's as far as I got. Yesterday I tied a couple of curls together and washed and conditioned them and they came out looking like this.



Much better! And I must say that it was nice to have lovely clean fibre to work with - it brushed out so much more easily. The photo doesn't really do them justice - I don't think it could handle the colour too well. They have a really nice pearly lustre to them and I quite like the way they are like little ringlets. It's a shame that I don't really need them for anything. I suspect that I enjoy processing and combing the fibre more than I do the reroots!

I admit to procrastinating a little about starting Poe's. Last night I repaired her scalp and painted it with acrylic paint so I could begin today, but the paint dried a little bit tacky, so rather than get to the end of the reroot and have paint flaking off, I think it would be best to sand the stock brown colour off and just use it flesh coloured. I did read that non-acetone nail polish remover is good to get the stock paint off, but I rubbed and rubbed at it and it didn't budge for me. At this rate I feel like I'll never get started, much less finish the job!